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BARTOLOMEO DI GIOVANNI
Madonna and Child En-throned with Two Angles,SS.Dionysius the Aereopagite and Dominic,Pope Clement,and St.Thomas Aquinas
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ID: 29760
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BARTOLOMEO DI GIOVANNI
Italian Early Renaissance Painter, active 1475-1511
Bartolomeo di Giovanni, also known as Bartolommeo di Giovanni and as Alunno di Domenico, was an early renaissance Italian painter of the Florentine School who was active from about 1480 until his death in 1501. He studied with and assisted Domenico Ghirlandaio, painting the predella of Ghirlandaio's Adoration of the Magi in the Ospedale degli Innocenti (Foundling Hospital) in Florence, in 1488. Bartolomeo di Giovanni also worked under the guidance of Sandro Botticelli. Related Paintings of BARTOLOMEO DI GIOVANNI :. | Predella: Consecration of the Church of the Innocents | Predella: Presentation at the Temple dd | St.Placid's Rescue | Predella: Marriage of Mary | Madonna and Child En-throned with Two Angles,SS.Dionysius the Aereopagite and Dominic,Pope Clement,and St.Thomas Aquinas | Related Artists: Ludwik de Laveauxpainted Parisian Opera at night. in 1892 - 1893
Heinrich Eduard Linde-Walther1868-1939
Carl Joseph BegasCarl Joseph Begas (September 30, 1794 - November 24, 1854), was a German historical painter born at Heinsberg near Aachen. His father, a retired judge, destined him for the legal profession, but the boy's tastes pointed definitely in another direction. Even at school he was remarked for his wonderful skill in drawing and painting, and in 1812 he was permitted to visit Paris in order to perfect himself in his art.
He studied for eighteen months in the atelier of Antoine Jean Gros then began to work independently. In 1814 his copy of The Madonna della Sedia was bought by the king of Prussia, who was attracted by the young artist and did much to advance him. He was engaged to paint several large Biblical pictures, and in 1825, after his return from Italy, continued to produce paintings which were placed in the churches of Berlin and Potsdam. Some of these were historical pieces, but the majority were representations of Scriptural incidents. Begas was also celebrated as a portrait-painter, and supplied to the royal gallery a long series of portraits of eminent Prussian men of letters. At his death he held the post of court painter at Berlin.
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